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Arg e Bam
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Being at the crossroads of important trade routes and known for the production
of silk and cotton garments, Bam is situated in a desert environment on the
southern edge of the Iranian high plateau. The origins of Bam can be traced back
to the Achaemenid period (6th to 4th centuries BC). |
But its heydays were from the 7th to 11th centuries. The existence of life in
the oasis was based on the underground irrigation canals, the qanāts, of which
Bam has preserved some of the earliest evidence in Iran. Arg-e Bam is the most
representative example of a fortified medieval town built in vernacular
technique using mud layers. The Arg-e Bam (Citadel of Bam), established in the
Sassanian period, is situated atop an artificial hill in the northwest quadrant
of the old city of Bam. This artificial hill elevates the citadel approximately
5 meters above the surrounding urban fabric. The citadel complex occupies an
area 315 meters wide along the east-west axis by 270 meters long along the
north-south axis. Bounded on the north by the river, by steep cliffs to the
east, and by gardens and residential neighborhoods to the north, northwest and
south, the Arg-e Bam was optimized for both self-sufficiency and protection.
This is one of the most splendid historical sites in the whole world; while most
of the best known historical sites in the world signify a limited period in
history, Arg-e-Bam displays the imprints of 2000 continuous years of a dramatic,
eventful history .This peculiarity has made estimation of the precise age of
most parts of this historical complex rather difficult, sometimes even
impossible.
Security was a major concern in the Arg-e Bam; the citadel complex was
surrounded by deep trenches and four encircling and dividing defensive walls.
The citadel subdivided into two major sections, residential and military,
separated by a wall tentatively dated to the Seljuk period. The citadel also
contains three wells, located along a single north-south axis. The residential
complex contains the governor's residence, baths, a detached watchtower, the
chahar fasl (four seasons) palace, the prison, the dungeons, and one of the
citadel wells. The military section comprises the commander's quarters,
barracks, stables for 200 horses, and two wells. The governor's mansion was
constructed at the highest point within the Arg-e Bam, next to the complex
watchtower. Heavily renovated during the Safavid (1501 - 1722) period, the
mansion consists of a two-story main iwan with summer and winter wings. The
prison and dungeon were located beneath the governor's residence, rather than in
the military section. This dungeon and the chahar fasl, (a specifically Iranian
building type, the "four-seasons building") are considered to be the oldest
buildings within the Arg-e Bam. The detached watchtower is four-sided and
decorated with shallow rectangular insets and three levels of windows. Below the
watchtower platform is a chamber with an elevated entrance accessible via a
staircase. The existence of other rooms within the watchtower suggests that the
tower had other functions beyond that of security.
Natural disaster has recently struck Bam: shortly after the devastating
earthquake of 26 December 2003, which leveled the city, the Arg-e Bam was
inscribed on the 2004 World Heritage List, and added directly to the World
Heritage in Danger List. Prior to the earthquake, the fortress had possessed the
distinction of being the largest adobe building in the world, recognized for its
unbaked mud brick and poured mud wall construction.
Masouleh
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Masuleh, 56 km. southwest of Rasht and 1050 meters above sea level, actually is
the most beautiful ,the most breathtaking village in the northern regions of
Iran. Masuleh is a village in the Gilan Province. Historical names for the
village include Māsalar and Khortāb. |
It was founded in the 10th century AD, and its current population is estimated
to be around 800 persons. The first village of Masouleh is approximately
established around 1006 AD, 6 km northwest of the current village, and it is
called Old-Masouleh. People moved from Old-Masouleh to the current village
because of Pestilence and neighbor attacks. Fog is predominant weather feature
of Masouleh and it is surrounded by forest from valley to mount.
Although it is written that the community was established around 10 AD but the
province of Gilan has a longer history.
Masouleh architecture is unique. So steep is the slope that the familiar Iranian
network of narrow alleys is entirely absent and instead the buildings have been
built into the mountain and are interconnected. Courtyards and roofs both serve
as pedestrian areas similar to streets. Masouleh does not allow any motor
vehicles to enter, due to its unique layout. It is the only village in Iran with
such a prohibition. However, the small streets and many stairs simply wouldn't
make it possible for vehicles to enter. The spectacular architecture of Masouleh
is well-known as "The yard of the above building is the roof of the below
building". Yellow clay coats the exterior of most buildings and this allows for
better visibility in the fog.
Buildings are mostly 2 stories (1st floor and below floor) made of adobe, rods
and bole. Small living room, big Guest room, winter room, Hall, WC and Balcony
are usually found in 1st floor. Cold closet, barn and stable are located at
ground floor which has access to the upper floor by several narrow steps inside
the building.
Pasargadae
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Pasargadae was a city in ancient Persia, and is today an archaeological site and
one of Iran's 9 UNESCO World Heritage Sites. The first capital of the Achaemenid
Empire, Pasargadae, lies in ruins 43 kilometers from Persepolis, the present-day
Fars province of Iran. |
The construction of the capital city by Cyrus the Great, begun in 546 BCE or
later, was left unfinished, for Cyrus died in battle in 530 BCE or 529 BCE. The
tomb of Cyrus' son and successor, Cambyses II, also has been found in
Pasargadae. The remains of his tomb, located near the fortress of Toll-e Takht,
were identified in 2006. Pasargadae remained the Persian capital until Darius
founded another in Persepolis. The modern name comes from the Greek, but may
derive from an earlier one used during Achaemenid times, Pâthragâda, meaning the
garden of Pars. The archaeological site covers 1.6 square kilometers and
includes a structure commonly believed to be the mausoleum of Cyrus, the
fortress of Toll-e Takht sitting on top of a nearby hill, and the remains of two
royal palaces and gardens. The gardens provide the earliest known example of the
Persian famous chahar bagh, or four-fold garden design.
Latest research on Pasargadae’s structural engineering has shown the Achaemenid
architectures constructed the city to withstand a severe earthquake, at what
would today be classified as a '7.0' on the Richter magnitude scale. The
foundations are today believed as having a base isolation design, much the same
as what is presently used in countries for the construction of facilities.
The most important monument in Pasargadae is the tomb of Cyrus the Great. The
design of Cyrus' Tomb is credited alternatively to Mesopotamian or Elamite
ziggurats, but the cellar is usually attributed to Urartu tombs of an earlier
period. In particular, the tomb at Pasargadae has almost exactly the same
dimensions as the tomb of Alyattes II, father of the Lydian King Croesus;
however, some have refused the claim (according to Herodotus, Croesus was spared
by Cyrus during the conquest of Lydia, and became a member of Cyrus' court). The
main decoration on the tomb is a rosette design over the door within the gable.
In general, the art and architecture found at Pasargadae exemplified the Persian
synthesis of various traditions, drawing on precedents from Elam, Babylon,
Assyria, and ancient Egypt, with the addition of some Anatolian influences.
Soltaniyeh
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Soltaniyeh situated in the Zanjan Province of Iran, some 240 km to the
north-west from Tehran, used to be the capital of Ilkhanid rulers of Persia in
the 14th century. Its name translates as "the Imperial". The central magnet of
Soltaniyeh's several ruins is
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the Mausoleum of Il-khan Öljeitü, traditionally
known as the Dome of Soltaniyeh.The structure, erected from 1302 until 1312, boasts the oldest double-shell dome in the world. Soltaniyeh is one of the
outstanding examples of the achievements of Persian architecture and a key
monument in the development of its Islamic architecture. The dome is the biggest
in the world which is made of brick. From the elevation point of view it is the
third highest of the kind in the world.
Its importance in the Muslim world may be compared to that of
Brunelleschi's cupola for the Christian architecture. The Dome of Soltaniyeh
paved the way for more daring Muslim cupola constructions, such as the Mausoleum
of Khoja Ahmed Yasavi and Taj Mahal. Much of exterior decoration has been lost,
but the interior retains superb mosaics, faience, and murals.
The estimated 200 ton dome stands 49 meters (161 ft) tall from its base
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with 25m diameter, the dome covered in turquoise-blue faience and surrounded by
eight slender minarets .The
whole building was completed in 10 years, but the 200 ton dome building takes
only 40 days, while whole of this huge structure is founded on 50cm foundation.
Pope has described the building as “anticipating the Taj Mahal.”
The Armenian Monastic Ensembles
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The Armenian Church and Monastery of St. Thaddeus, locally called Qara Kelisa
(the Black Church) is situated in desolate, but nowadays easily accessible,
country about 18 km south of Maku. Northwest Iran is home to the oldest churches
in the country among which Qara Kelisa, St. |
Stephanos, and Zoorzoor stand out because of their antiquity. The St. Thaddeus
Church is considered one of the oldest churches in the world, whose construction
began 1700 years ago. Historians believe that the Church is the tomb of St.
Thaddeus who is said to have been one of Christ's disciples who traveled to
Armenia, then part of the Persian Empire, for preaching the teachings of Christ.
Armenians followed Thaddeus' teachings and converted to Christianity in 301 AD.
St.Thaddeus was later martyred and buried in the present-day West Azarbaijan
province. A tomb was erected on his burial place by his followers who turned it
into a small prayer house. The building was later changed into a cathedral in
the seventh century AD. According to the inscriptions remained there, the Church
was ruined in by a devastating earthquake but was later restored in its current
form by a Christian religious figure. Today the church belongs to the Armenian
community of Iran. It has an international reputation and hosts annual meetings
of world Armenians each year in July-August. The present cruciform building,
said to be on the site of this early church, stands on a hill within fortified
walls and consists of two distinct parts: a domed sanctuary end built largely of
dark stone, probably dating from the tenth or eleventh century, and the main
body of the church, built of light sandstone, under a second and larger tent
dome whose twelve-sided drum is pierced by an equal number of windows.
According to an inscription dating 1329 this latter section was rebuilt after an
earthquake in 1319; considerable additions were, however, made during the 19th
century, possibly when there was an abortive move to transfer here from
Echmiadzin in present Armenia the seat of Armenian Catholics. The exterior walls
are, like those of other early Armenian churches, decorated with bas-reliefs,
the effigies of saints and a lively frieze of vine leaves and animals on the
newer building being particularly striking. Ruined buildings within a walled
compound adjoining the western fortified walls indicate that a considerable
monastic settlement once existed there. The church has one service a year, on
the feast day of St. Thaddeus (around 19 June), when Armenian pilgrims from all
over Iran camp for three days to attend the ceremonies.
Because of special features, antiquity, architectural style, decorations, its
religious importance among the world Armenians, and the celebrations held
annually in Qara Kelisa, Iran's Armenian Monastic Ensembles have been designated
as one of the country's sites to be inscribed onto the UNESCO's World Heritage
List.
Chogha Zanbil
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Chogha Zanbil is an ancient Elamite complex in the Khuzestan province of Iran.
It is one of the few extant ziggurats outside of Mesopotamia. It lays
approximately 25 kilometeres west of Dezfoul, 45 kilometres south of Susa and
230 kilometres north of Abadan by way of Ahvaz,
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which is 120 kilometres away.It was built about 1250 BCE by the king Untash-Napirisha, king of Elam, mainly
to honor the great God Inshushinak. Its original name was Dur Untash, which
means 'town of Untash', but it is unlikely that many people, besides priests and
servants, ever lived there. The complex is protected by three concentric walls
which define the main areas of the 'town'. The inner area is wholly taken up
with a great ziggurat dedicated to the main God, which was built over an earlier
square temple with storage rooms also built by Untash-Napirisha. The middle area
holds eleven temples for lesser Gods. It is believed that twenty-two temples
were originally planned, but the king died before they could be finished, and
his successors discontinued the building work. In the outer area are royal
palaces, a funerary palace containing five subterranean royal tombs with
monumental dimensions.
Although construction in the city abruptly ended after Untash-Napirisha's death,
the site was not abandoned, but continued to be occupied until it was destroyed
by the Assyrian king Ashurbanipal in 640 BCE. Some scholars speculate, based on
the large number of temples and sanctuaries at Chogha Zanbil, that
Untash-Napirisha attempted to create a new religious center (possibly intended
to replace Susa) which would unite the gods of both highland and lowland Elam at
one site.
The whole site are consists of the ruins of three concentric walls, within which
are palaces, temples and a central Ziggurat (temple tower), measuring 105 X 105
meters. The first wall has seven gates, which reflects the religious ideologies
of that time. The outer city wall was about 4 km long and enclosed an area of
approximately 100 hectares. The royal quarter was situated adjacent to a major
city gate some 450 m east of the Ziggurat. An extensive water tank and a group
of three major buildings with large courts surrounded by lengthy halls and rooms
were excavated in the nearby.
Mud-bricks are the general materials used in the complex. The well built
monuments beautifully decorated with glazed baked bricks, gypsum, ornaments of
faience and glass. Thousands of baked bricks bearing inscriptions with Elamite
cuneiform characters were all inscribed by hand, ornamenting the most important
buildings while Glazed terracotta statues such as bulls and winged griffins
guarded the entrances to the Ziggurat.
Archaeological excavations undertaken between 1951 and 1962 revealed the site
again, and the ziggurat is considered to be the best preserved example in the
world. In 1979, Chogha Zanbil became the first Iranian site to be inscribed on
the UNESCO World Heritage List
Naghsh-e Jahan Square
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Built by “Shah Abbas I the Great” at the beginning of the 17th century, and
bordered on all sides by monumental buildings linked by a series of two-storied
arcades, the site is known for the Royal Mosque, the Mosque of Sheykh Lotfollah,
the magnificent Portico of Qaysariyyeh Bazzar and
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the 15th-century Timurid
palace.They are an impressive testimony
to the level of social and cultural life in Persia during the Safavid era.
Naghsh-e Jahan Square is surrounded by buildings from the Safavid era. "Roger
Seyouri", prominent British Iranologist who conducted extensive studies in
history of Safavid era, has written that:" Naghsh-e Jahan Square was a place for
citizens to visit King. All around the square there was a river and along this
river a row of plane trees donated shadow to passersby’s. During the day time
the square was filled with the tents of vendors and merchants stores who sold
their goods, mainly spices, in warehouse around the Square. At night Naghsh-i
Jahan square changed into a gathering place for actors, jugglers, puppet showers
, story tellers, and mystics. Shah (King) sometimes especially in Nowruz (New
Year's Day) sat on gardens besides the Square to congratulate the beginning of
new year.
All tourists who visited Isfahan
in previous centuries have the same pictures from Isfahan in their mind.
Fortunately physical appearance of Square remained intact and it still shows off
its beauty to the world. Naghsh-e Jahan owes its glory to four sites which
surrounded it from north, south, east and west and each one individually
indicates a masterpiece of Iranian architecture.
Shah Mosque is standing in south
side of Naghsh-e Jahan square. Built during the Safavid period, it is an
excellent example of Islamic Architecture in Iran.
Its splendor is mainly because
of the beauty of its seven-color mosaic tiles and valuable inscriptions. The
splendid portal of the mosque measuring 27 meters high, crowned with two
beautiful minarets being 42 meters in height, frames the front of the mosque
which opens into Naqsh-e Jahan square. On top of the entrance, among the
attractive stalactites and above the turquoise lattice windows, there is a frame
of seven-color mosaic tile shaped like a vase with two peacocks on both sides
which is a very precious example of mosaic tile art. The wooden door of the
mosque, covered with layers of gold and silver, is ornamented with some poems
written in "Nasta'liq Script". The overall entrance hall proves the mastery of
the designer of the building.
Sheikh Lotfollah mosque Situated
on the eastern side of Naghsh-e Jahan Square, the mosque was constructed between
1602 to 1619 A.D. in Shah Abbas I era. It was a private praying place. According
to one of the most famous American architects’: '' it is difficult to say that
the Mosque is a man made building!!''
Sheikh Lotfollah Mosque in
contrast with Imam Mosque is so small, because Shah Abbas constructed the mosque
for one of his father in law, Sheikh Lutfullah. The mosque was named after
Sheikh Lutfullah, a religious leader from Lebanon who was invited to Isfahan and
was paid special attention by the Safavid king. Ali Qapu Palace was the
celebrated seat of The Safavid capital in Isfahan. Ali Qapu is a pavilion that
marks the entrance to the vast royal residential quarter of the Safavid Isfahan
which stretched from the Maidan Naqhsh-e-Jahan to the Chahar Bagh Boulevard. The
building, another wonderful Safavid edifice, was built by decree of Shah Abbas
the Great in the early seventeenth century. It was here that the great monarch
used to entertain noble visitors, and foreign ambassadors. Shah Abbas, here for
the first time celebrated the Nowruz (New Year's Day) of 1006 AH / 1597 A.D. A
large and massive rectangular structure, the Ali Qapu is 48 meters high and has
six floors, fronted with a wide terrace whose ceiling is inlaid and supported by
wooden columns.
The Bazaar of Isfahan (Qeysarieh
bazaar) is one of the oldest and largest bazaars of the Middle East, dating back
to the 17th century A.D. The bazaar is a vaulted two kilometer street linking
the old city with the new. The two kilometer bazaar is a vaulted street that
links the old city, the Friday mosque and old square with Shah Abbas' new
square. The iwan of the bazaar portal is flanked by galleries and crowned with
the representation of Sagittarius in mosaic tile. The portal links the royal
bazaar, the royal mint, and the royal caravansary, leading to the major artery
of the bazaar.
Persepolis
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Persepolis (Takht-e Jamshid) was an ancient ceremonial capital of the Persian
Empire. It lies at the foot of Kuh-i-Rahmat, or "Mountain of Mercy," in the
plain of Marv Dasht about 400 miles south of the present capital city of Teheran
and some 70 km northeast of the modern city of Shiraz
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in the Fars Province of Iran.The largest and most complex building in Persepolis was the audience hall or
Apadana with 72 columns. In contemporary Persian language the site is known as
Takht-e Jamshid (Throne of Jamshid). To the ancient Persians, the city was known
as Parsa, meaning The City of Persians, so Persepolis is the Greek
interpretation of the mentioned name. The exact date of the founding of
Persepolis is not known. It is assumed that Darius I began work on the platform
and its structures between 518 and 516 B.C., visualizing Persepolis as a show
place and the seat of his vast Achaemenian Empire. But its majestic audience
halls and residential palaces perished in flames when Alexander conquered and
looted Persepolis in 330 B.C. according to history, 20,000 mules and 5,000
camels carried away its treasures.
The first scientific excavation at Persepolis was carried out by Ernst Herzfeld
in 1931, commissioned by the Oriental Institute of the University of Chicago. He
believed the reason behind the construction of Persepolis was the need for a
majestic atmosphere, as a symbol for their empire and to celebrate special
events, especially the “Nowruz”, (the Persian New Year held on 21 March). For
historical reasons and deep rooted interests it was built on the birthplace of
the Achaemenid dynasty, although this was not the centre of their Empire at that
time.
The main characteristic of Persepolitan architecture is its columns, which were
made of wood. Only when even the largest cedars of Lebanon or the teak trees of
India did not fulfill the required sizes did the architects resort to stone. The
bases and the capitals were always of stones, even on wooden shafts, but the
existence of wooden capitals is probable.
The remains including the bas-reliefs and sculptures provide an insight into
hearts and beliefs of the ancient Persians. The buildings at Persepolis are
divided into three areas; military quarters, the treasury and the reception and
occasional houses for the King of Kings. These included the Great Stairway, the
Gate of Nations (Xerxes), the Apadana palace of Darius, the Hall of a Hundred
Columns, the Tripylon Hall and Tachara palace of Darius, the Hadish palace of
Xerxes, the palace of Artaxerxes III, the Imperial Treasury, the Royal Stables
and the Chariot house.
Gray limestone was the main material used in building Persepolis. To reach the
top terrace, the construction of a broad Stairway, 20 meters above the ground,
was planned to be the only main entrance. This was begun around 518 BC. The dual
stairway, known as the Persepolitan stairway, was built in a symmetrical manner
on the western side of the Great Wall. Originally the steps were believed to
have been constructed to allow for nobles and royalty to ascend by horseback,
new theories suggest that this was to allow visiting dignitaries to in fact walk
up the stairs while keeping a regal appearance, permissible by the ease in which
the stairs could be climbed due to the small distance between each step. Today
Persepolis is still full of mystery and majesty.
Takht-e Soleyman
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The archaeological site of Takht-e Soleyman (Throne of Solomon), in
north-western Iran (Azarbaijan Province), is situated in a valley set in a
volcanic mountain region. It lies midway between Urumieh and Hamadan, very near
the present-day town of Takab, and 400 km (250 miles) |
west of Tehran.The site includes the principal Zoroastrian sanctuary partly rebuilt in the
Ilkhanid (Mongol) period (13th century) as well as a temple of the Sasanian
period (6th and 7th centuries) dedicated to Anahita. The originally fortified
site, which is located on a crater rim, was recognized as a World Heritage Site
in July 2003. The citadel includes the remains of a Zoroastrian sanctuary
consists of a collection of swimming pool and lake, a place of worship, entrance
gates, tall columns, hall, place of swearing, fire temples, mineral hot spring,
and watch towers. With its purple and blue color, the pool, known as Takht-e
Soleiman Lake, is one of the wonders of this historical site. It is about 80
meters wide and 120 meters long. With a depth of 110 meters it flows like a hot
spring, pumping out about 100 liters of water every second. From the southern
part, the castle looks like a gate with ruined walls - the 3-roofless rooms that
used to be a place of worship for ancient Iranians.
The whole area built during the Sassanid
period, and partially rebuilt during the Ilkhanid period. According to legend,
the temple housed one the three "Great Fires" or "Royal Fires". Sassanid rulers
are said to have journeyed there to humble themselves at the fire altar before
ascending the throne.
Folk legend relates that King Solomon used to imprison monsters inside the 100 m
deep crater of the nearby Zendan-e Soleyman "Prison of Solomon". Another crater
inside the fortification itself is filled with spring water; Solomon is said to
have created a flowing pond that still exists today. Nevertheless, Solomon
belongs to Semitic legends and therefore, the lore and namesake (Solomon's
Throne) should have been formed following Islamic conquest of Persia. After the
Conquest, the Arabs sought to destroy anything Zoroastrian or Persian, as these
things were deemed to be contrary to Islam.
In order to avoid this, the Persians changed the names of many sites and
monuments to save them from destruction. Another example is in the city of
Pasargadae, where they began referring to the tomb of Cyrus the Great as
"Solomon's mother's tomb." A 4th century Armenian manuscript relating to Jesus
and Zarathustra, and various historians of the Islamic period, mention this
pond. The foundation of the fire temple around the pond is attributed to that
legend. Archaeological excavations have revealed traces of a 5th century BC
occupation during the Achaemenid period, as well as later Parthian settlements
in the citadel. Coins belonging to the reign of Sassanid kings, and that of the
Byzantine emperor Theodosius II (AD 408-450), have also been discovered there.
The site has important symbolic significance. The designs of the fire temple,
the palace and the general layout have strongly influenced the development of
Islamic architecture.
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